McClintock's Essay

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Toward a Place for Study in a World of Instruction

Robbie McClintock

Institute for Learning Technologies
Teachers College — Columbia University
December 2000



 

Section 9 — Language Study with Television

¶ 83
 
I wonder if cable television could be used to facilitate people's independent study of languages and foreign cultures. The available means of studying languages have been deeply influenced by the vogue of instruction. Hence, a program such as Guten Tag on NET consists essentially of televised teaching, with some movies added to display the language in operation, allowing the learner to enter vicariously the world of German. Such movies are expensive to produce, and the whole system has one major drawback, the rigidity of the schedule of lessons. Should one miss a few installments, it becomes difficult to catch up; thus televised instruction becomes as lock-step as classroom teaching, and a major potential advantage of educational television is lost. Such programs are not the only possibility, however, which will become quite clear if we can reassure ourselves that to learn a language one need not receive instruction. 
 
¶ 84
 
Recall, for instance, the famous story of how as a child Montaigne learned his Latin. Here, Montaigne's advantages stood him in good stead. When he was still an infant, his father hired a young German scholar to live with the family and to have the child accompany him continually. As the scholar went about his business, he addressed his infantile companion only in excellent Latin. Mother and father boned up on it too so that in their son's presence they also spoke only Latin, albeit less elegantly. The servants soon learned to bid young Montaigne's childish will according to Latin commands, and the local dialect even took on a number of Latin words from this curious child who spoke no French. Learned doctors would hesitate to converse with the boy of five for fear of having the flaws in their Latin shown up, and it was not until he went to college that Montaigne learned French and found his Latin becoming corrupt. [ 69 ]
 
¶ 85
 
Such learning through immersion, which was then a possibility only for the very rich, is fast becoming technically possible for all. Out of the fifty or sixty channels that cable TV can soon be offering, it would not be extravagant to have half a dozen or so broadcasting continuously in foreign languages, and should the system ever reach 300 channels as it perhaps can, it could easily carry continuous programming in all the major languages. Furthermore, the production costs of such broadcasts could be very low, much below those for producing special language courses, if a system could be arranged by which the major cultural networks of the world would exchange, without charges, daily tapes of all their regular programming. If this were done, besides broadcasting its own programming on its regular channel, NET could also broadcast daily on subsidiary channels the programming of its equivalent in French, German, Russian, Latin American Spanish, Italian, Hebrew, Arabic, Swahili, Hindi, Japanese, and so on. In view of the popularity of tourism and the widely diffused curiosity about other parts of the world, the potential audience for such programming might be surprisingly large, especially after a period of time when people had had a chance to become accustomed to its availability. Arranging such exchanges might be an excellent project for UNESCO, and should the exchanges get under way, they would be a great addition to the opportunities of study open to every man and they would greatly boost our cosmopolitan sensibilities.
 
¶ 86
 
Pedagogically, the system might revolutionize language study. For most, learning languages is impossibly academic because the opportunities to participate in the system of experience that a language defines are hard to come by. To be sure, one can subscribe to Die Welt or L'Express, cultivate foreign flicks, and devote one's vacations to the picturesque sights of far-off lands. But these are insufficient in themselves, and they present barriers to the many who have not received rather advanced instruction in the languages in question. In contrast, with daily access to television programming produced for German audiences and a good self-study book like Harry Steinhauer's Read, Write, Speak German, any man with a bit of perseverance could not only learn the language, but enter enjoyably the German sphere of experience. [ 70 ] In this way, such programming that catered to independent study would be much more than a simple set of language courses; it would evoke an understanding of the genius of different peoples that would far excel the fondest dreams of those who want to teach world understanding through the schools. If people are to understand one another, they need opportunities to experience one another, and such a system of multi-language television programming, plus the great opportunities that many have today for travel, would be a good way to provide for such mutual experience.
 
¶ 87
 
I wonder as well about things less programmatic. I wonder if study could be subtly brought to the fore in many further ways, in schools of education, law, and medicine; in the press and entertainment; in museums, exhibitions, and libraries; in scientific laboratories and experimental stations; in politics, business, and labor. I wonder if we can resist consecrating our culture, preserving it for study rather than worship; I wonder whether we can refuse to transform those simple works, which men have made for men, into miraculous, wonder-working relics that the credulous suppliant approaches on battered knees, hoping that with incomprehending obeisance some good will be wrought on his spirit. Such misplaced reverence simply invites the cynic to exploit art for base purposes of commerce and politics. But then, at least the cynic insists that art have a human function; perhaps that function could be more liberating if, instead of teaching children and adults the reasons a critic adduces for believing a work to be great, the teacher would simply let people study how the work can help them find their own greatness, their ability to become what they are.
 
¶ 88
 
I wonder quirky things, too; I wonder whether the somber tone of the obituary page in the daily paper might somehow change from a notice of death to a celebration of life; I wonder whether it could become the part of the paper most interesting to the young, for there, day by day, they could glimpse something about the diverse and fascinating courses that human life can take. I wonder also whether introductions to literature might not junk their outworn national frames, substituting for the American novel, for the English novel, and others, a study of something more pertinent to the awakening adolescent, the Bildungsroman and its antitype, the novel of stifled aspirations. [ 71 ] I wonder, further, whether historians and literary critics might pay more attention to the intellectual and characterological development of significant men, laying bare for others the rationalities and irrationalities that an interesting man, un esprit fort, combines in making himself. [ 72 ] Lastly, I wonder whether philosophers of education might not mute their interest in the rationale of instruction and return to the question that Plato had Socrates put in the Protagoras: what is likely to happen to the character of a student who assents to follow one or another type of teacher? [ 73 ]
 
¶ 89
 
But enough of wonder! All these and any other speculations that one might spawn will prove mere daydreams unless efforts to implement new hopes can gain energy by working in sympathy with powerful historic forces. Ideas give the flux form, but they do not put the flux itself in motion and they do not determine its basic direction of movement. The powerful historic motions of our recent past, the rise of the industrial nation-states, were given pedagogical form by the Comenian vision of compulsory education through authoritative instruction, and if these motions are going to remain the dominant movements in history, no alternative vision is likely to form the flux, no matter how much some might wish that it would. This is not to say that the basic vectors of development determine all of history; but they do distinguish, generally, very broadly, between impossibilities and possibilities. The latter, the possibilities, are always ample enough for the future to be highly uncertain and exciting; and it is with respect to these that the particular, personal choices by various men inspired by diverse ideas play their essential part in determining historic actuality. What, if any, real, tangible, fundamental developments in the vast historic flux might be incongruent with the compulsory instructional forms characteristic of our recent past? What ineluctable movements may be conducive to some pattern of comprehensive, voluntary study? 
 

 


 

 

Endnotes

Note 69 See Montaigne, "Of the Education of Children," Selected Essays, op.cit., n.2, pp. 48-50. [Back]
Note 70 See Harry Steinhauer. Read, Write, Speak German. New York: Bantam Books, 1965. It is important to note that in substance and format a work such as this, intelligently designed for self-study, reverts in many of its features to the style of old-time grammars, especially in that it minimizes explanation and emphasizes exercises. [Back]
Note 71 It is my hope to offer a seminar sometime on the pedagogy of the Bildungsroman, which has been strangely ignored by American students of education even though much American literature falls within the genre. For a good discussion of the antitype of the Bildungsroman, see F. W. Dupree, "Flaubert and the Sentimental Education," The New York Review of Books, Vol. XVI, No. 7, April 22, 197 1, pp. 42-5 1. [Back]
Note 72 Educational historians might do much more in the way of studying the intellectual growth of important figures as Dominique Arban has done for Dostoevsky in Les Années d'apprentissage de Fiodor Dostoieviki. Paris: Payot, 1968; and Virgil K. Whitaker has done for Shakespeare in Shakespeare's Use of Learning: An Inquiry into the Growth of His Mind and Art. San Marino, Calif.: The Huntington Library, 1964. [Back]
Note 73 Plato. Protagoras, 318a. [Back]